Phaistos field 57, just before the "death" signs in 58, supports the identification of its neighbor with Senet’s "House of Death" because it ominously announces that event.  The three Phaistos signs in this field look like pictographs for these items:

We saw earlier that the "death" field after this "down" announcement for "life" portrays the so predicted death of the previously rayed head, as expressed by its loss of hair and the two cycle-ending circles on its cheek, as well as by the "transition" rosette next to it.

The field after this death, in turn, matches the "distress" field which follows the "House of Death" in Senet, and its signs tell the same tale of woe as the "difficulty and danger" of the "X" or "water" field where the gamepieces "drowned" in Egypt.

Phaistos field 59 illustrates the deceased and fallen head's entrance into the afterworld, and what it encounters there does not look good. The ray-crested head is knocked over face down, and the two T-shirt-like signs next to it are turned all the way upside down.

Turning something upside down is an intuitive and apparently universal expression of distress or damage; the Egyptians used it that way and even called the world after death the "inverted world". The Phaistos field with those inverted signs suggests the Cretans shared that same metaphor.

The overturning of the T-shirts is all the more notable as the same entire group of signs from that field occurs already twelve spaces earlier, except that there, head and T-shirts are upright. The duplication of this sign group appears to indicate that the pieces were sent back to the first field with those signs if they landed on the second one where some of the signs are overturned.

This twelve-field setback suggested by the similarity of the sign groups is an exact counterpart to Kendall’s tentatively reconstructed setback of twelve squares in Senet, from the corresponding field 27 right after Senet's "death" square to the occasionally marked middle of its board at square 15.